This scene from PSYCHO
(1960) is an extreme close-up of Marion’s eye after she had been stabbed to
death in the shower. This illustrates the fact that life leaves you when you
die as her eyes are diluted and expressionless. Her pupils have dilated, which
also shows how terrified she was before she died. There is a drop of water
coming from the corner of her eye which is most likely water from the shower
but looks as if it is a tear. This emphasises the emotional affect her death
will have on the audience at the time as it looks realistic which shows she
suffered before she died. This shows how Hitchcock used cinematography to
captivate the audience’s attention and make the scene as a whole unsettling as
she was about to turn her life around when this prevented her doing that. Also
to make it more shocking with the restrictions of the Hays Code, this scene
zooms out to show Marion’s full face smashed into the floor, which again makes
the scene unsettling as the audience at the time wouldn’t be used to seeing
dead people on camera. This focuses on the psychological genre of horror as no
gore could be shown but it was just as effective to the audience at the time.
The power of the film in 1960 can be best understood by the
theories of the critic Janet Staiger, who in her book ‘Interpreting Films
(1992)’ mentions that people react differently to the meaning behind the film.
She also acknowledged that the audience’s context is important as some people
watching PSYCHO might find this scene more shocking or sexual if they
come from the eras close to the events in the film compared to later audiences.
This is also shown as people in the 1960 would understand that this film
references Ed Gein, the notorious American serial killer and necrophile who was
arrested just three years before the release of PSYCHO (1960).

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